![]() The name says it all – Stack Template 1 x 6 would be used for stacking sources from one microphone six times, Stack Template 2 x 6 for stacking sources from two microphones six times. The templates are very small sessions so can be emailed or kept on a jump drive for quick access. The two, downloadable Pro Tools template sessions are laid out to record stacks of anything using one, or two microphones. With the faders and pans common to both mixes, there's no shock when the talent comes into the control room for a listen, the mixes are comparable. You can send your mix to the talent as you change it by using the Control + Option + H (Copy to Send) shortcut. This means that if you adjust a pan in the Control Room, the talent hears the same thing. This allows the engineer to isolate parts to check for integrity without hearing the talent ask "hey, where did my part go?" Third, despite the independent control room and studio cue feeds, the pans are largely the same due to the FMP (follow main pan) settings built into the track sends. If the talent wants more stacks in their mix, turn it up and vice versa. Second, you can solo, pan, mute, and blend the stacks independently in the Control Room and Studio. stacked levels by using the Aux master faders for the stacked parts. The talent often prefers this because it puts the part being currently recorded loudest in their mix. First, the templates allow you to quickly manage the level of the Source mic(s) independent from the stacked parts. The templates tackle three challenges that arise when vertically stacking parts. So you can skyrocket your career, make more money, work with more clients, and have a better work-life balance at the same time.Download our free Pro Tools Track Stacking template Problem Solver In this course, Billy teaches you how to mix highly efficiently using templates. He’s done all that, mind you, without ever having an assistant! ![]() In addition to being a highly successful engineer, Billy is a proud father, book author of ‘Template Mixing and Mastering’, has released his own plugin line, as well as multiple sample packs. With 16 #1 Billboard singles under his belt, Billy has mixed 1500 songs within 1 year, as well as an insane 17 songs in a day! When it comes to speed mixing, there is probably no better mentor than Nashville Mixer Billy Decker (Chris Young, Rod Adkins, Sam Hunt). That’s exactly what this course is designed to teach you! Now that we’ve established how important an efficient workflow actually is, how do you achieve it? ![]() Whether you’re a full-time or part-time engineer, you want to be able to spend time with friends & family, or go to a bar sometimes! This will generate additional exposure, put your name on the map, and vastly expand your network in the music industry. This is especially crucial for solopreneurs.Ģ.Work with more clients within the same timeframe Working efficiently is – AT LEAST – equally important to a successful career. And if you’ve been honing your craft for some time, I’m sure you’re able to turn around fantastic sounding mixes already! ![]() Most courses cover the first part in detail. There are two crucial factors to building a successful career as a mixer:ġ.Having the skills to turn out amazing mixes ![]()
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